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Coming in 2025

Every Inch a Saint

A novel about Eileen O'Connor, Australia's Saint-in-Waiting

It is with great pleasure I announce my novel about Eileen O’Connor, Australia’s Saint-in-Waiting has been accepted for publication by Monkfish Publishing. The book will come out late in 2025, but in the meanwhile, we can watch together the historic progress of Eileen’s Cause for sainthood. On the same day I received my publishing contract, the final decree for the acts of the cause for Eileen’s canonisation  was signed off by Archbishop Anthony Fisher. Crates of documents have been delivered to the mysteriously-named Dicastery for the Causes of Saints and a formal investigation into miracles associated with Eileen is underway.

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1892-1921

Servant of God

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Eileen watercolour portrait 5_edited.jpg

Eileen O'Connor
1892-1921
Servant of God

Australia's Second Saint?

When Eileen O’Connor, Australia’s saint in waiting, was born on February 19th, 1892, the world was a very different place. Antibiotics and X-rays hadn’t been invented, and neither had social security payments. Tuberculosis was endemic, often in its respiratory form, where it infects the lungs, but also as miliary TB, where the infection spreads through the blood and lodges in other parts of the body, including the spine and bones. Eileen contracted miliary tuberculosis in infancy, which damaged the bones of her spine, causing deformity, chronic pain, paralysis and inflammation in her spinal cord. Anaesthesia was quite primitive, but the child Eileen had multiple surgeries on her back, presumably to drain abscesses and attempt to straighten the deformity. Her illness caused her terrible suffering, stunted her growth so that she was only three foot ten tall (115cm) and resulted in her early death from heart failure at the age of twenty-eight.

On top of all that, her father died when she was nineteen, plunging her family into poverty.

We wouldn’t think that was an auspicious starting point for a journey towards sainthood…

But Eileen O’Connor was considered a saint by many people in her own lifetime. After she died, her undertaker said the haunting words: “I buried a saint today.” Her reputation for saintliness hasn’t faded, and indeed her cause is being championed and she has been declared a Servant of God by the Vatican, which is a stepping stone on the process.

So, what could a pain-wracked, paralysed, often bed-bound young woman do that would earn her this abiding reputation?

Acutely aware, through her own life experience, of the devastating impact of illness and poverty, Eileen was determined to do something about it. The question was what. She was too ill to be accepted as a nun. But a near death experience when she was nineteen brought an apparition of the Virgin Mary, who offered Eileen three choices: she may stay with Mary in Heaven, she may return to lead a normal life, or she could return ill but work on Mary’s behalf to save people’s souls. Eileen chose the third option.

Her co-founder would be Father McGrath, the young priest deputed to assist the struggling family to find accommodation her mother could afford in the aftermath of being widowed.

Father McGrath and Eileen found a mutual respect and admiration, and saw each other as the means to fulfill their life’s calling to alleviate the suffering of the sick poor. Together they founded Our Lady’s Nurses for the Poor, to care for the sick and dying poor in the slums of Sydney. The nurses were known as the Brown Nurses, due to the colour of their cloaks, brown being chosen not just for practicality, but to honour St Joseph. Eileen and her nurses became heroes, risking their lives by nursing Spanish Flu patients in the terrible conditions of 1919, and indeed their first matron died from it. And their legacy lives on today.

About

About Kate Clinch

Judging by the number of pens and notebooks I went through in my childhood, I’d say I am a born writer.  But I had a couple of ‘proper’ careers first. I was as a GP in a country town in South Australia. Then, maybe not a ‘proper’ career in some people’s eyes, I homeschooled my two children until they were ready for university. Once I was redundant, I could finally fully explore writing.

While my first two novels are tucked away in the legendary writers’ bottom drawer, the first was one of only 22 out of over 800 entries to be longlisted for the Richell Prize, so maybe they will see the light of day eventually. Once Eileen’s story leaves the presses, I have cautious optimism my fourth novel will be published.

I live near bushland on the fringe of Adelaide, South Australia, with two young adults who, happily, survived years of homeschooling experiments, a neurotic German Shepherd and copious geriatric chickens. When I am not writing, I can often be found outdoors, ensuring my garden meets the expectations of the local bird population, or crawling on my knees to photograph wildflowers and critters in the nearby National Park.

In 2025 I will begin studying a formation program in spiritual direction.

The painting of Eileen O'Connor is a watercolour portrait I painted myself.

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